​​​​Visual artist and featherworker, I place the figure of the bird at the center of my practice. Through feathers—considered both as a material and as an image—I explore the relationships between the living and the non-living and the power dynamics that shape them. This research takes form through textiles, feathers, and printed matter.​

 

My works emerge from processes of collecting, sorting, and classifying inspired by scientific methods and inventory practices. I create forms that move between specimen, landscape and artifact.​ Used as adornment, commodity, trophy, or symbol of prestige, the feather carries a rich material and cultural history that informs my work.

 

I work exclusively with reclaimed feathers sourced from second-hand pillows (goose and duck) or collected in urban environments (pigeon and parakeet). Silent witnesses to transformation and disappearance, feathers both reveal and conceal the bodies to which they once belonged. Through them, I seek to make visible forms of presence that usually escape our attention.